A 版画面提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is 侯龙涛 (Hou Longtao), the twenty-three-year-old Beijing man seated in the window seat; follow the appearance and wardrobe given in <Subject 2> and add no facial, hairstyle, or clothing details beyond it.
<Subject 3> is the 黑边眼镜, the black-rimmed glasses worn on his face throughout this unit; follow the appearance given in <Subject 3>.
<Subject 4> is CA984航班头等舱, the first-class cabin named in the asset list; follow the layout, seating, and lighting given in <Subject 4>. The script specifies only that he occupies a window seat and that the adjacent seat is empty.
summary:
[reference generation] A fourteen-second single-scene unit inside CA984航班头等舱 in daylight. <Subject 2>, wearing <Subject 3>, sits in the window seat of <Subject 4>; across three shots his faint smile fades as he exhales and turns his head to the window, a slow push settles on his backlit profile while he stays silent with his lips closed, and his eyes refocus behind the lenses before the frame settles. <Subject 1> supplies only the opening posture and prop placement.
retention_analysis:
<Subject 1> (opening state of [Shot 1]): partially_preserved - only the seated posture, fifteen-degree head angle, residual smile, hand placement on both armrests, and cabin prop positions at 0.00 seconds are carried forward; all subsequent action, framing, and camera work develop independently.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - his appearance and wardrobe follow the reference exactly, with nothing added or altered.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the frame shape and finish follow the reference and remain worn on his face throughout.
<Subject 4> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the cabin layout, seat design, window placement, and cool white overhead lighting follow the reference, and the adjacent seat stays empty.
detailed_description:
Live-action, cinematic, a daytime cabin interior with cool white overhead light and bright high-altitude daylight through the window. No one speaks at any point in this clip. No subtitles, captions, dialogue text, titles, or other readable on-screen text appear at any point.
[Shot 1] An eye-level over-the-shoulder medium close shot with a 50mm look, the camera placed in the aisle slightly behind his right shoulder and angled forward-left. <Subject 2>, wearing <Subject 3>, occupies screen right, showing his right shoulder, nape, and the outer edge of his right cheek, so his mouth is hidden by the angle; the daylight-filled window of <Subject 4> and the empty adjacent seat fill screen left, with the clouds beyond the glass reduced to a soft white field by shallow focus. For the first 0.6 seconds he holds the opening posture carried from <Subject 1>: back against the seat, face angled about fifteen degrees toward the window, a trace of a smile at his mouth, his right index finger motionless on the right armrest and his left hand on the left armrest. From 00:00.600 the smile loosens at his eyes before it leaves his mouth. At 00:01.800 he releases one low breath as his torso sinks a few centimetres into the cushion, his suit fabric rubs once against the seat back, and his head turns slowly toward the window. The camera holds a static shot, and no one speaks in this shot. At 00:02.400 his head settles into full profile against the daylight.
[Shot 2] At 00:02.600, the camera cuts on the completed head turn to an eye-level backlit profile close shot with an 85mm look, framed from mid-chest up from the same aisle side so the axis is preserved. <Subject 2> sits screen right facing screen left toward the window of <Subject 4>; the daylight behind him rims his cheekbone, the upper edge of <Subject 3>, and his collar, while his lips fall into shadow and stay closed and a faint reflection of the sky floats across the lenses. The camera pushes in with small amplitude at slow speed and stops at 00:11.000. From 00:03.000 to 00:12.100 no one speaks: his lips remain completely closed with no speaking mouth shape and no sign of preparing to speak, and his gaze stays fixed on the white sky beyond the glass; his right index finger taps the armrest slowly and dully once at 00:06.800 and once at 00:08.000, then stops completely from 00:09.000. From 00:12.100 only his unmoving profile and the cabin hum remain.
[Shot 3] At 00:12.400, the shot cuts to an eye-level profile medium close shot with a 50mm look from the same aisle side, framing his head and shoulders together with both armrests. <Subject 2> is screen right in profile facing the window at screen left, daylight outlining his profile. At 00:12.600 his eyes refocus behind the lenses of <Subject 3>, as though he has already settled on an answer for himself; his body makes no other movement. The camera holds a static shot. From 00:13.100 to the end of the video the frame is stable: his seated posture is unchanged, his head stays turned toward the window with his profile to camera, the smile is entirely gone, his lips stay closed, both hands remain on the armrests with the right fingertips motionless, the adjacent seat stays empty, and the cool overhead light and window daylight stay constant.
overall_soundscape:
A steady low air-conditioning hum and a distant low-frequency engine rumble continue at constant level through the whole clip. One lowered exhale and a single soft rub of suit fabric against the seat back occur as he sinks into the cushion, followed by two dull fingertip taps on the armrest, after which only the base cabin hum remains. No human voice is present at any point.
non_diegetic_music:
N/A
B 版独白提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is 侯龙涛 (Hou Longtao), the twenty-three-year-old Beijing man seated in the window seat; follow the appearance and wardrobe given in <Subject 2> and add no facial, hairstyle, or clothing details beyond it.
<Subject 3> is the 黑边眼镜, the black-rimmed glasses worn on his face throughout this unit; follow the appearance given in <Subject 3>.
<Subject 4> is CA984航班头等舱, the first-class cabin named in the asset list; follow the layout, seating, and lighting given in <Subject 4>. The script specifies only that he occupies a window seat and that the adjacent seat is empty.
summary:
[reference generation] A fourteen-second single-scene unit inside CA984航班头等舱 in daylight. <Subject 2>, wearing <Subject 3>, sits in the window seat of <Subject 4>; across three shots his faint smile fades as he exhales and turns his head to the window, his full interior monologue runs as off-screen voiceover over a slow push on his backlit profile, and his eyes refocus behind the lenses before the frame settles. <Subject 1> supplies only the opening posture and prop placement.
retention_analysis:
<Subject 1> (opening state of [Shot 1]): partially_preserved - only the seated posture, fifteen-degree head angle, residual smile, hand placement on both armrests, and cabin prop positions at 0.00 seconds are carried forward; all subsequent action, framing, and camera work develop independently.
<Subject 2> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - his appearance and wardrobe follow the reference exactly, with nothing added or altered.
<Subject 3> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the frame shape and finish follow the reference and remain worn on his face throughout.
<Subject 4> (appears in [Shot 1], [Shot 2], [Shot 3]): fully_preserved - the cabin layout, seat design, window placement, and cool white overhead lighting follow the reference, and the adjacent seat stays empty.
detailed_description:
Live-action, cinematic, a daytime cabin interior with cool white overhead light and bright high-altitude daylight through the window. No subtitles, captions, titles, or other readable on-screen text appear at any point.
[Shot 1] An eye-level over-the-shoulder medium close shot with a 50mm look, the camera placed in the aisle slightly behind his right shoulder and angled forward-left. <Subject 2>, wearing <Subject 3>, occupies screen right, showing his right shoulder, nape, and the outer edge of his right cheek, so his mouth is hidden by the angle; the daylight-filled window of <Subject 4> and the empty adjacent seat fill screen left, with the clouds beyond the glass reduced to a soft white field by shallow focus. For the first 0.6 seconds he holds the opening posture carried from <Subject 1>: back against the seat, face angled about fifteen degrees toward the window, a trace of a smile at his mouth, his right index finger motionless on the right armrest and his left hand on the left armrest. From 00:00.600 the smile loosens at his eyes before it leaves his mouth. At 00:01.800 he releases one low breath as his torso sinks a few centimetres into the cushion, his suit fabric rubs once against the seat back, and his head turns slowly toward the window. The camera holds a static shot, and no one speaks in this shot. At 00:02.400 his head settles into full profile against the daylight.
[Shot 2] At 00:02.600, the camera cuts on the completed head turn to an eye-level backlit profile close shot with an 85mm look, framed from mid-chest up from the same aisle side so the axis is preserved. <Subject 2> sits screen right facing screen left toward the window of <Subject 4>; the daylight behind him rims his cheekbone, the upper edge of <Subject 3>, and his collar, while his lips fall into shadow and stay closed and a faint reflection of the sky floats across the lenses. The camera pushes in with small amplitude at slow speed and stops at 00:11.000. <Subject 2> (S1), a twenty-three-year-old Beijing man with a low mid-range voice, solid but never heavy chest resonance, a clean timbre carrying a thin layer of huskiness, relaxed and unprolonged line endings, a standard Beijing accent with slight natural erhua, clear articulation without pressed effort and crisp consonant landings, a moderately low conversational volume, a moderately slow pace with real breathing pauses between phrases and shallow silent inhalations, and a habitual falling, offhand sentence close - never an announcer tone, never an advertising-narration tone, never a domineering-CEO vocal fry, never a deliberately lowered husky-magnetic voice, and never a slick swaggering drawl - opening with the relaxed air of someone recalling his own past, settling the phrase about living off his savings without hardening his consonants, taking a shallow silent breath at each comma, slowing as he weighs an option he does not want, and letting the final words land lightly, almost conceding the point, says in an off-screen voiceover from 00:03.000 to 00:12.100: <d>[Chinese] 本可悠然自得的过完一生，但坐吃山空不是我的作风，可要我自己开公司，又觉得太累，</d> while his lips remain completely closed. Throughout the line his gaze stays fixed on the white sky beyond the glass; his right index finger taps the armrest slowly and dully once at 00:06.800 and once at 00:08.000, then stops completely from 00:09.000. From 00:12.100 only his unmoving profile and the cabin hum remain.
[Shot 3] At 00:12.400, the shot cuts to an eye-level profile medium close shot with a 50mm look from the same aisle side, framing his head and shoulders together with both armrests. <Subject 2> is screen right in profile facing the window at screen left, daylight outlining his profile. At 00:12.600 his eyes refocus behind the lenses of <Subject 3>, as though he has already settled on an answer for himself; his body makes no other movement. The camera holds a static shot. From 00:13.100 to the end of the video the frame is stable: his seated posture is unchanged, his head stays turned toward the window with his profile to camera, the smile is entirely gone, his lips stay closed, both hands remain on the armrests with the right fingertips motionless, the adjacent seat stays empty, and the cool overhead light and window daylight stay constant.
overall_soundscape:
A steady low air-conditioning hum and a distant low-frequency engine rumble continue at constant level through the whole clip. One lowered exhale and a single soft rub of suit fabric against the seat back occur as he sinks into the cushion, followed by two dull fingertip taps on the armrest, after which only the base cabin hum remains.
non_diegetic_music:
N/A
