A 版画面提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the man seated in the first-class window seat; follow the appearance and wardrobe given in <Subject 2>.
<Subject 3> is the black-rimmed eyeglasses worn by Hou Longtao; follow the appearance given in <Subject 3>.
<Subject 4> is the first-class seat armrest; follow the appearance and material given in <Subject 4>.
<Subject 5> is the first-class cabin of flight CA984; follow the layout and lighting given in <Subject 5>.
summary:
[reference generation] Hou Longtao sits motionless in profile against the cabin window as a cloud shadow sweeps across his lenses, then the shot cuts to his right thumb grinding slowly on the armrest leather until it stops. No one speaks at any point.
retention_analysis:
<Subject 1> (opening state of [Shot 1]): fully_preserved - Hou Longtao's reclined seating posture, head turned toward the window, closed lips without a smile, both hands resting on the armrests, the still right fingertips, the daylight at the window, the cool white overhead light, and the empty adjacent seat are all carried directly into the first frame.
<Subject 2> (appears in [Shot 1], [Shot 2]): fully_preserved - his face, hair, and clothing follow the supplied reference without additional invention.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - the black-rimmed glasses remain worn throughout and follow the supplied reference.
<Subject 4> (appears in [Shot 1], [Shot 2]): fully_preserved - the leather armrest surface and form follow the supplied reference.
<Subject 5> (appears in [Shot 1], [Shot 2]): fully_preserved - the cabin layout, seat arrangement, and lighting follow the supplied reference.
detailed_description:
The target video is live-action and cinematic, with cool white cabin lighting and even daylight entering from the window. No character speaks and there is no human voice anywhere in the video.
[Shot 1] A static eye-level medium close profile shot on a 50mm-equivalent lens frames <Subject 2>, Hou Longtao, on the right third of the image, his profile facing the window at frame left inside <Subject 5>, cropped just above the chest with the right armrest of <Subject 4> and his resting right hand held at the lower edge. Focus stays on his cheekbone and the lenses of <Subject 3>, while the cabin aisle and overhead lights behind him fall into soft cool-white bokeh. For the first 0.6 seconds nothing moves except a steady band of daylight across his lenses. A passing cloud then drags a slow shadow from the window side across his lenses, cheekbone, and jaw; the reflection on the glasses dims and brightens again, and his eyelids lower very slightly as the shadow crosses. His lips stay completely closed and never move. After the shadow passes he holds the same motionless profile until the cut, lips sealed, performing no speaking action.
[Shot 2] At 00:05.200 the shot cuts to a low-angle close-up on an 85mm-equivalent lens, the camera slightly below armrest height and angled from the front right onto his right hand resting on <Subject 4>. The back of the hand and the thumb occupy the center-right of the frame, the leather grain catching a soft cool-white highlight from the overhead light, while his profile and the window daylight blur into a bright wash along the upper edge. Focus rests on the contact point between the thumb pad and the leather. The camera holds still. The thumb is already moving as the shot begins: it grinds back and forth across the leather three times at an even, slow rhythm, each pass pressing a brief shallow mark into the surface while the rest of the hand stays motionless. After the third pass returns to its starting point, the thumb stops at 00:09.300 and the whole hand goes completely still as the shallow marks slowly relax out of the leather. The camera remains locked, the overhead highlight holding an unchanging cool white edge along the motionless back of the hand through the end of the video.
overall_soundscape:
A steady air-conditioning hiss and low fuselage hum run beneath the entire video at an unchanging level, with no passenger conversation in the quiet cabin. Three very faint dry leather scuffs accompany the thumb grinding across the armrest in the second shot, after which only the baseline cabin tone remains. No human voice is present at any point in the video.
non_diegetic_music:
N/A
B 版独白提示词
subject_definitions:
<Subject 1> is the actual final frame of the previous unit, supplied as image 1. Use it only for the existing characters' opening state and prop positions.
<Subject 2> is Hou Longtao, the man seated in the first-class window seat; follow the appearance and wardrobe given in <Subject 2>.
<Subject 3> is the black-rimmed eyeglasses worn by Hou Longtao; follow the appearance given in <Subject 3>.
<Subject 4> is the first-class seat armrest; follow the appearance and material given in <Subject 4>.
<Subject 5> is the first-class cabin of flight CA984; follow the layout and lighting given in <Subject 5>.
summary:
[reference generation] Hou Longtao sits motionless in profile against the cabin window while an off-screen voiceover states that five hundred thousand was spent to buy off the general manager of IIC. Cloud shadow sweeps across his lenses as his right thumb grinds slowly on the armrest leather and then stops.
retention_analysis:
<Subject 1> (opening state of [Shot 1]): fully_preserved - Hou Longtao's reclined seating posture, head turned toward the window, closed lips without a smile, both hands resting on the armrests, the still right fingertips, the daylight at the window, the cool white overhead light, and the empty adjacent seat are all carried directly into the first frame.
<Subject 2> (appears in [Shot 1], [Shot 2]): fully_preserved - his face, hair, and clothing follow the supplied reference without additional invention.
<Subject 3> (appears in [Shot 1], [Shot 2]): fully_preserved - the black-rimmed glasses remain worn throughout and follow the supplied reference.
<Subject 4> (appears in [Shot 1], [Shot 2]): fully_preserved - the leather armrest surface and form follow the supplied reference.
<Subject 5> (appears in [Shot 1], [Shot 2]): fully_preserved - the cabin layout, seat arrangement, and lighting follow the supplied reference.
detailed_description:
The target video is live-action and cinematic, with cool white cabin lighting and even daylight entering from the window.
[Shot 1] A static eye-level medium close profile shot on a 50mm-equivalent lens frames <Subject 2>, Hou Longtao, on the right third of the image, his profile facing the window at frame left inside <Subject 5>, cropped just above the chest with the right armrest of <Subject 4> and his resting right hand held at the lower edge. Focus stays on his cheekbone and the lenses of <Subject 3>, while the cabin aisle and overhead lights behind him fall into soft cool-white bokeh. For the first 0.6 seconds nothing moves except a steady band of daylight across his lenses. A passing cloud then drags a slow shadow from the window side across his lenses, cheekbone, and jaw; the reflection on the glasses dims and brightens again, and his eyelids lower very slightly as the shadow crosses. His lips stay completely closed and never move. The man with a low mid-range Beijing-accented voice, clean with a thin husk, steady chest resonance, moderate-low volume, and a slightly unhurried pace (S1) says in an off-screen voiceover, weighting the sum with a slightly heavier breath and letting the phrase settle downward at the end, as calmly as a man closing an account already paid, not boastful and not a broadcast read: <d>[Chinese] 便花了五十万收买了全美最大的跨国投资公司IIC的总经理，</d> while his lips remain completely closed.
[Shot 2] At 00:05.200, on the final syllable of the voiceover, the shot cuts to a low-angle close-up on an 85mm-equivalent lens, the camera slightly below armrest height and angled from the front right onto his right hand resting on <Subject 4>. The back of the hand and the thumb occupy the center-right of the frame, the leather grain catching a soft cool-white highlight from the overhead light, while his profile and the window daylight blur into a bright wash along the upper edge. Focus rests on the contact point between the thumb pad and the leather. The camera holds still. The thumb is already moving as the shot begins: it grinds back and forth across the leather three times at an even, slow rhythm, each pass pressing a brief shallow mark into the surface while the rest of the hand stays motionless. After the third pass returns to its starting point, the thumb stops at 00:09.300 and the whole hand goes completely still as the shallow marks slowly relax out of the leather. The camera remains locked, the overhead highlight holding an unchanging cool white edge along the motionless back of the hand through the end of the video.
overall_soundscape:
A steady air-conditioning hiss and low fuselage hum run beneath the entire video at an unchanging level, with no passenger conversation in the quiet cabin. Three very faint dry leather scuffs accompany the thumb grinding across the armrest in the second shot, after which only the baseline cabin tone remains.
non_diegetic_music:
N/A
